If you want unlimited high-res WAV files, you can pay $25 a month (paid yearly) and also get unlimited distribution. Plans start as low as $4 a month (paid yearly) with an unlimited number of lo-res MP3s. So once you find a combination of settings that work, you can then save it and apply it to all your other tracks. The other main feature is that you can save your mastering preferences. This is helpful because you can hear in real-time the drastic difference mastering has on your track. You can also use Volume Match, which lets you switch between the mastered version of the song and the original version. This is where you can use three styles of mastering, “each with its own character and feel,” as LANDR states. The feature that provides the most customization is called Styles. There are limited settings/preferences for masters.You can upload and master your files in bulk.Your subscription comes with unlimited digital distribution.Here’s what I consider to be the pros and cons of LANDR. It was nice to hear that LANDR’s algorithmic mastering engine was able to make those faults clear to hear. And that’s another reason why digital mastering on a budget is a great tool: I could just go in and fix my mixes, and then remaster via the website in a matter of minutes!īut I learned that mastering, whether automated or by a human, will always accentuate your mix, and that means it will usually accentuate the faults. But I quickly realized they were mix issues rather than mastering issues. Well after the album came out, I listened back to my album and heard some things that bugged me. I used LANDR to master my album in 2018 and I was generally happy with the results. To learn more about mixing and mastering your work, check out Soundfly’s online course, Faders Up: Modern Mix Techniques. I’ve used both services, they’re both great, but this is how I think they break down in comparison. The two big players in this digital field are LANDR and eMastered. You simply upload your tracks and set some parameters based on the desired aesthetic and effect, and boom: done! Think of it like a virtual engineer is working on your real tracks. You don’t always need to hire an engineer, and that’s why artificially intelligent digital mastering is a great option to have at your disposal. Sure, working with professional mastering engineers is always going to get you better and more customized results, but sometimes musicians just don’t have the budget, or they just want to release a short collection of tracks digitally, or the tracks are meant to be lo-fi for effect. Murphy of Soundfly’s FlypaperĪutomated mastering has completely changed the game for indie artists.
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